The simplest way to create a one point perspective is to imagine
an extruded shape. The modern world is full of extrusions, from a simple
brick to an office tower.
The illustration above is of a single story house with flat
roofs on either side of a gabled entry hall. If the front elevation is on the
same plane the perspective layout is finished. If there are setbacks in the
elevation, then more extruding will be necessary to move parts forward or
backward.
This technique is elaborated in this view of St. Marylebone
Church in London from 1816. The church itself is little more than an elevation,
while the surrounding buildings extrude back to the vanishing point behind the
church. The windows and ornament on the sides of these buildings were probably
worked out by eye.
The above Bridge over
Railway by C.G. Hullard (1852) is a simple elevation with minimal tweaks to
suggest depth. Since the Beaux Arts design has little depth seen from this
angle, minor extrusions and strategic shadows are enough to introduce three
dimensional reality.
Suur Merijoki by Eliel Saarinen (1903) takes an elevation of a
church door, and by pulling the flanking stones and steps forward, puts the
viewer in the space. It is more complicated than simple extrusion, but the
basics of one point are there.
This view of Workers
Housing by Henri Sauvage & Charles Sarazin (1909)shows how powerful a
one point perspective layout can be.
Antonio Sant'Elia’s 1913 Cite
Nuova utilizes the driving force of a symmetrical one point. The Futurist
architect was playing with industrial forms, and the linear thrust of modern
transportation. I always found it amazing that he made the mark he did before
dying at age 28.
Durham Cathedral as sketched by Kenneth Conant, the
architect, archaeologist and historian, is an example of receding planes. The
front elevation of the cathedral is given life by shallow rendered shadows. The
rest of the building recedes and shifts off center to suggest distance. I don’t
know if this drawing was worked from a layout, but it is too nice to ignore.
I have always thought Corbusier’s drawings were cartoonish
at best, but this perspective of Une
Ville Contempraine is a perfect example of one point extrusion. The depth
of the towers might be off, and the pilot of that plane should be arrested, but
the project is illustrated simply and effectively.
This view of Chateau Blerancourt by Samuel Chamberlain is a
site sketch, and so not an example of a layout. However, it has all the
elements of a successful one point exterior perspective. Although the shadows
provide the major sense of depth, the receding side of the left pavilion and
the repeating gate silhouette in the distance are necessary to the effect.
This rendering of Bush House in London is unusual for HughFerriss. He generally utilized the more dynamic two point perspective, but in
this case he squeezes plenty of drama out of an otherwise static layout.
Whereas Ferriss’s work is loose and dramatic, Paul Rudolph’s
renderings tend to be crisp and clean. His Callahan House is almost an iconic
example of one point extrusion. Each of the boxes is a rectangle stretched back
to the same vanishing point. Sterility is avoided by surrounding the house with
abstracted trees.
One point perspective can be a near cousin to isometric
drawings. Matthaikirch Plaza Berlin
by O.M. Ungers plays a game of “confuse the viewer”, contrasting an oversimplified
church elevation with the perspective of the surrounding arcade. Isometric
shadows give an extra twist to our perceptual consternation.
NOTE: These posts are NOT meant to be a tutorial on
one-point perspective. There are plenty of websites that do that. I want to
illustrate some of the interesting examples, and point out the major problems
and opportunities out there.
Perspective - Three Point Perspective- Hand & CAD
Other posts on Perspective:
Perspective - Two Point Perspective -
Distortions & ComplicationsPerspective - Three Point Perspective- Hand & CAD
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