Before Photoshop there
was photo retouching or “airbrushing” (named for the best tool for retouching
photos). Photography was an expensive and iffy business, and expert artists did
“post-production” by hand, cleaning up the mistakes which showed up in the
darkroom. Blemishes had to be removed from centerfolds, backgrounds had to be
cleaned up, and commissars had to be, ahhh, liquidated.
I never did photo retouching for a living, but there were a
few architectural rendering jobs that ended up being just that. I was once approached
to paint a couple of preliminary views of a hotel to be built on Broadway just
north of Times Square. The client needed a night view of illuminated signs, and
it seemed impossible to do it on their tight budget. However, they had a couple
night photos of the site, and I suggested that I paint the new building into
the photographs, saving the time and effort needed to create the context. Since
the point was to illustrate generic signage (this WAS Times Square after all), the
details could be fudged.
In the first view the existing signs and the time-lapsed
streak of car lights was a perfect context for a quick approximation of the new
building’s sign covered façade. The building on the far left was under
construction, and no signage could be suggested (it being another
client/architect with a different approach, and an aggressive lawyer); thus it became
a dark and dull frame to the hotel signage.
The second photo was less satisfying. Little of the existing
Times Square signage was visible, and the street activity on the left was
blocked in the photo by a truck. The streaking car lights of the first photo
are here less exciting and distinct. Nevertheless, I blocked in the new hotel
with as much realism as I could, using the preliminary design. The dull
building from the first view is here part of the background to the glowing
hotel.
Another opportunity to “airbrush” arrived when Hardy
Holtzman Pfieffer took on the renovation of the famous Plaza Hotel in New York City
(1907 photo above). The idea was to open up usable space under the huge mansard
roof while simplifying the roof line. New windows had to be added, ugly roof
structures eliminated, and ornamental elements that had been removed had to be
replaced. At the same time the historic effect of the hotel could not change.
The original photo shows a deteriorating roof with unsightly
penthouse structures poking out. Many of the original ornaments are gone, and
the overall effect is less than it could be.
The retouched photo can hardly be distinguished from the
original, which was a plus in presentations to the Landmarks Preservation Commission. On closer inspection one is rewarded with a
feeling of renewal and completion.
This detail of the old Plaza can be compared to…
… this same detail of the proposed new Plaza.
The next time I was faced with a retouch architectural job
some years later, I had Photoshop on my computer. I will be posting actual demonstrations
from those days sometime in the future.
I would just like to thank you for this immense work you've done on this blog. I have read each and every post, and it has been truly rewarding.
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